Full Circle: Book-in-a-Day Wk14

Title: Full Circle
Structure: Circle Flexagon
Dimensions: 5 inch circle
Video of my process

The flexagon is a magical structure. Even though I know how it is made and I see how and why it works the way it does, I still find it magical every time I experience it. 

The topic for this week's book was full circle because I made the book the same day I read as a faculty member at Mills College. Five years ago, almost to the day, my hubby and I sat at Mills College for a faculty reading and I was in awe at the amazing readers and faculty members and the staff of the English department. 

Now, I'm a part of this fabulous department and that feels full circle if nothing else. So I started the book early in the day, then went to the reading and talked to some of our incoming students (who are amazing). Talking with them helped me gain some clarity on how to move the book forward. 

I don't have much to say about this one, except that seeing it in a photo does not do it justice. You must watch the video. 

I'm looking forward to what this week brings. Stay tuned! If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please share here or on the Giving Hands Creative Community site.

Recursive: Book-in-a-Day Wk13

Title: Recursive
Structure: Flip Pamphlet
Dimensions: 6 1/4 x 5

Another book done and done! It feels great to have the 13th book completed and to have finished before midnight.  I think that is going to be my new goal each week -- complete the book by midnight!! Sounds realistic, but my track record says otherwise :-). 

Recursive was my first (and definitely NOT last) attempt at creating a structure. That part was the most fun. Everything else I did with this book was familiar. I found it quite exhilarating to engineer a structure. Now, of course it's possible that the structure already exists in the world somewhere, but it's not one I've seen anywhere or been taught by anyone so it feels like I'm creating it from scratch. My process for creating the book is documented, but there's more than 2 hours of footage that I didn't include because for most of it, I'm rambling on as I think through the process and structural concerns inherent in this kind of task. 

For the most part, this might be my new love -- creating simple structures and using them to make art journals. Let's see where it takes me next. 

So the poem for this book was something I drafted a few years back. It seemed to be waiting for just this moment. Don't you love when that happens? The poem never had a title, so the calling the book Recursive is really a homage to what I've been telling my students for almost 20 years. Writing is recursive. It's a process that folds in on itself and can start (or restart) at any point in the cycle. I love that about writing. It makes the idea of writer's block such a myth. 

In retrospect, the process for this book was a bit overwhelming. I did a lot of things:

• created a structure for the book from scratch
• watercolored the entire book 
• cut out shaped images from upcycled monoprints I made months ago with my Gelli® Plate

So it took me a lot longer to make this book than I had anticipated. It's a good thing I started earlier in the day than usual. I think I wasn't really considering how long each piece might take me, so in the end, I wasn't very happy with the way the text and the images speak to one another on the page. I could have done a lot more with color composition and positioning if I had more time. This is one of the caveats of making a book in a day -- I want to do more than I can really do in a day once I get started. I mean, my idea starts small, but it morphs and grows as the day goes. {This is where I remind myself that it's a book made in ONE DAY and that I can easily make more of them the way I want after the fact!!}

See you next week!!This month of books should be tons of fun since it's also National Poetry Writing Month (NaPoWriMo)!! I'll be writing one poem a day. I'm posting prompts over at my facebook page and teaching an online poetry class at givinghands.ning.com. You should join in the fun and write a poem a day with me. 

I'm looking forward to what next week brings. I have a reading on Thursday night and a speaking engagement on Friday, so I'm debating whether or not I should make the book on Wednesday. Stay tuned! If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please share here or on the Giving Hands Creative Community site.

Game On: Book-in-a-Day Wk12

Title: Game On
Structure: Accordion with Domino Covers

Dimensions: 1 ¹⁵⁄₁₆ x 2 ¹⁵⁄₁₆  Opened: 6 ⁷⁄₁₆ long

Watch the video of me sharing the book.

Here we are at week 12 of Book-in-a-Day (BIAD) 2013 and I'm still enjoying (actually LOVING) this process. I haven't had one regret about challenging myself in this way. In fact, each week I'm reminded of how much I love making books and allowing my creative soul to be expressed in this way. 

This week's book -- Game On -- is right at the top of my list of favorites out of the 12 books I've completed. Urbanite is still in the number one spot, with Game On trailing right behind it in the number two spot. 

It's takes the number two spot because it was ridiculously easy to make and so much fun. I used recycled papers from other projects for the 1 inch sheets that were glued to the card stock (a left over from book 9 - G.R.I.T.S.) and my new favorite mini-book cover -- dominoes. 

I took a class from Terri Heinz at Creative Workshops Online back in December of 2012 (in the video I say a year ago -- but I was wrong, I was thinking of a class I took with Pam Carriker on the same site) and after a conversation with my mother about learning to play dominoes as a kid, I knew I wanted to make an altered domino book this week. 

My favorite part was creating the covers. I really liked playing with the Ranger Alcohol Inks. I wasn't sure the stamping would work, but it did and I liked it a lot more than I thought I would. I did notice after a day of handling the book that some of the ink seemed to be fading or rubbing off, so I sealed it with an acrylic coating. I wasn't very careful with the front of the book and some of the ink started to run (basically, I held the spray can too close). The back cover was fine because I figured out that I needed to pull the can away a bit. 

One of the things that I really love about this book is that there is amazing beauty in the simplicity of the 8 panels while also having so much potential for content. After making this one book, I feel like I could make 14 books (that's one set of dominoes). 

I'm looking forward to what next week brings, I'm thinking I'll get an earlier start this week and make a book that is drastically different from anything we traditionally think of as a book!!! Stay tuned. If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site.

See you next week!!

The ABCs of Creativity: Book-in-a-Day Wk11

Title: The ABCs of Creativity
Structure: Star Book
Dimensions: 2 ⁹⁄₁₆ x 2 ⁹⁄<sub>16

Book 11 is done and done! Again, I started this book late in the day, but I had been thinking and freewriting about the topic all morning. I'm working on a webinar series that I'll be calling, The ABCs of Creativity and so this book was kind of a brainstorming session for the larger idea. 

I went with the star structure because I wanted the themes of creativity (as I see them) to be exposed a few at a time and with a little bit of a surprise element.</sub> 

Here's the video of my process: 

The one thing I'm not quite happy about (after the fact) was that I used the origami side of the papers. I should have flipped the pages and used the pochoir sides for the words and the origami for the back. Alas, these are the things that come up after the book is made and you have a chance to look at them.

I did like the weight of the origami papers. They folded nicely and accepted the stamps easily. I'd love to use some of those with my gelli plate just to see how they take the ink/paint. 

For some reason I don't have a lot to say about this book. It's not my favorite and I can't quite figure out why, but I like the topic/content and can't wait to share more with you about the ABCs of Creativity!!

As always, I'm looking forward to what next week brings. If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site.

20 Ways of Talking to Your Poem: Book-in-A-Day Wk 10

Title: 20 Ways of Talking to Your Poem

Structure: Fan Book

Dimensions: 3 ¹⁄₄ x 1 ¹⁄₈  Thickness: 1 ³⁄₁₆ 

Video of my process. 

BOOK 10 is done! It feels great to have 10 books completed. I'm enjoying this process and learning so much about myself as an artist and poet. 

This week, I took my inspiration from the workbook I've been compiling since last year. It includes daily writing exercises for poets who want to have a daily/weekly/monthly writing practice. It also includes strategies for revising poems. Originally, I had planned to release the book in February of this year. The cards would be the supplement to the book. They would be something the poet can carry around with them as they think about and ruminate on their poems. 

It was interesting to make these cards and see them come to life. The most revealing part of the process was when I condensed the information to make it fit the cards. I realized that the workbook is really close to being done and that I'm just procrastinating with moving it forward. Oh!! Procrastination!

Ten is a milestone worth celebrating and this was just the book to do it. It will be the prototype for the actual card deck that I hope to have ready before summer. 

The book (cards) act as a tool for revision. Each strategy is in a set of three (name of the strategy, quick reference for the strategy, and a revision refresher -- a detailed description of the strategy). There are 20 of them (as the title suggests). It's geared towards poets, but could easily be used by prose writers, too. 

I'm proud of this week's book because, not only is it the 10th book in the series, it's the tangible manifestation of an idea I've been carrying around for a while. And, YES, I will be making an edition of this. I'll also likely give some to folks who take my first online poetry course -- Conquering the Blank Page Using Poetry, which starts April 1st. 

This was a fairly simply book to make. I upcyled the backs from scraps of old projects so that I could create visual prompts for writing. That way, the book becomes both a tool for revision and a way to generate ideas. 

I mention this on the video, but it's worth saying again -- the screw post is much bigger than it needs to be. Either I'm being led to make it more than 20 (which I could totally do), or I just need a smaller screw post :-). Either way, it's the one thing I would change about the book. 

Finally, I wasn't up until 2 or 3 in the morning making this book. I finished before 11PM and that felt great. Maybe I'm getting it down to a science???

To see a list of materials and more photos, visit givinghands.ning.com.

I'm looking forward to what next week brings. If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the Giving Hands Creative Community site.

See you next week for book 11!!

Girls Raised in the South: Book-In-A-Day Wk 9

Title: Girls Raised in the South (G.R.I.T.S.)
Structure: Whirlwind
Dimensions: 7 ¹⁄₂ x 6 ¹⁄₄ closed
Video of my process. 

HOORAY FOR WEEK 9!! 

I'm so excited to bring you this ninth book-in-a-day because I've been searching for a way to pay homage to the women in my family. And while one book will never be enough, this feels like a great start. 

The book is really about the sayings that I grew up hearing in my house and in the houses of other southern women raised in places like my hometown. These sayings, at the time, held the only truth I knew and I couldn't wait to repeat them when I was little. Of course, like many things, I outgrew that desire, but I sometimes find myself spewing all sorts of southern phrases that many of my west coast friends find baffling. 

When I sat out to make this ninth book in the series, I knew that it would be difficult for me to pick just a few phrases, but I was determined to pick the ones that were around when I was little. There are a lot of newer sayings, but I was looking for the tried and true. The ones that seem to have staying power. So of course I consulted the best source I have access to; my mother. 

Just sitting and talking was powerful. Because I come from an oral tradition where stories are typically passed down through the women in my family, I was able to learn a great deal, not just about the phrases and the sayings, but about my great-great grandmother: Mabel King. As I listened, I felt more and more proud to come from such a strong and determined woman. Thus, the book was born and dedicated to her. 

ABOUT THE STRUCTURE & CONTENT: I think I woke up with that structure in mind, so I tailored my content, in a way, to fit the way the structure works. I didn't want to write poems this week, and after listening to my mom, I felt like I needed to tell a story. That story turned into a manifesto of sorts, or maybe an instruction manual. The phrases show up in italics. 

I wanted the pages to be lightly colored with pink, so I used a homemade ink spray with watered down metallic pink acrylic ink and a homemade purple alcohol ink spray to add a bit of contrast to the dark pink text, which I simply printed on my color ink jet printer. (For a list of materials, visit the ning site).

The other element I was determined to use were the silhouettes. For some reason, I had that on my mind for several days and was determined to get them in there. I'll likely use silhouettes again because I actually found them to be really powerful images. The stark black color on the light pink was exactly what I was hoping for. I did, however, make a few mistakes with the silhouettes. 

Mistake 1: I made the silhouettes before I did anything else, so I already had them glued to a heavy card stock, which turned out to be heavier than I wanted in the book, but I kept it. 

Mistake 2: Some of the silhouettes buckled when I added the glue. I think it was mostly the ones that had come from magazine images originally. I could have remedied this by copying them onto regular printer paper before painting and gluing them. 

Mistake 3: One of the ones I really wanted to use was much too big. It will likely appear in an art journal page later along with the others that didn't make it in the book. 

All in all, this was a great book making experience. Each week I'm finding so many things that inspire me that it's difficult to pick the one that will get my attention. But no worries, I'm keeping a list for the days when the ideas are not as abundant. 

EDITIONING: It's likely that this book will become an open edition. Now that I've made the prototype, I can see exactly what I'd need to do to edition it. Plus, I'd really like to give my mom (and her sisters) a copy. 

I'm looking forward to what next week brings, I'm thinking about something a little different than the first 9 -- stay tuned. If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site.

See you next week!!

Gratitude 365: Book-In-A-Day Wk8

Title: Gratitude 365
Structure: File Folder Book
Dimensions:

Video of the process. 

This week was a shift for me because I created the book on a Wednesday instead of my usual Thursday and for some reason, it felt great to do it early.

On the other hand, I woke on Thursday wanting to make another book!! But I was traveling so I didn't give in to the urge. I'm finding that all I want to do these days is make books. Blank books. Poetry books. Books about Oakland. Books about my family. Books about California. Books about any and everything. Books. Books Books.

So it's a good thing that I've decided to make at least one book each week, right?

Gratitude 365 was inspired by the books of Karin Winter and Heidi Sekovski in the January/February issue of Cloth•Paper•Scissors Magazine. 

Alright, so I realized several things in making this blank file folder book:

1. I LOVE THIS STRUCTURE. It's simple to make and it gave me something to do with some of the scrapbooking papers I've collected over the years.

2. UPCYCLING makes me feel like my carbon footprint is a little bit smaller. The file folder I used for this book was an unused folder, but I'll be making others like it with folders that I had planned to trash. 

3. I LOVE SEWING ON PAPER. This was my first time sewing anything. I mean, literally, my first time operating a sewing machine. It was fun to get a tutorial from my mother and to watch her in her element. She's a natural teacher!! You'll see lots more sewing on paper from me as this series unfolds. 

4. TIME FOR A NEW CAMERA: I had to film this segment while in between cameras, so I used my iPad and that turned out to be an interesting end result. So I'm on the hunt for a new camcorder. It's also the reason there isn't a lot of filming of me actually making the book. 

Things to keep in mind when making this structure:

• MEASURING
• file folders come in different sizes, so be mindful and measure multiple times before you fold or cut
• scoring is helpful but makes a really strong (and permanent) crease in the folder, so again, measure multiple times before you score
• the patterned papers next to the color of the folder really makes it obvious if your paper is wonky, so be mindful of how you cut them. 
• COLOR SCHEME
• Start with what moves you. Gather lots of options. Pick the ones that speak to you most and go with it. Allow this part to be organic and intuitive. Even the choices that seem unlikely can make the best side-by-side patterns. 
• SEWING IS NOT NECESSARY
• I used a sewing machine for this book, but you don't have to. The sewing served two functions: it acted as a reinforcement and as a decorative element. You can use what you have to make the book feel like your own. 

I talk about this a little in the video, but it's worth repeating. As I prepared to make this book, I kept coming across papers with fall colors and I felt like it was Thanksgiving/fall/harvest time. That made me think about being thankful, which made me think about abundance, and I'm always grateful for abundance. And so I created a gratitude journal.

This process reminded me that I can (and should) be grateful everyday of the year. Hence the title, Gratitude 365. I'm looking forward to journaling in this book throughout the year.

And of course this process inspired me to create a free class over at the ning site. It will be available in the middle of March. Gratitude 3-6-5 will be a combination of bookbinding, art journaling, and mixed media, and it will be completely FREE.

I hope you'll join me and make your own gratitude journal for recording all the moments, big and small, that remind you how precious life is.

To see a list of materials I used for this project and more photos, please join the free community at givinghands.ning.com. 

I'm looking forward to what next week brings. If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site.

See you next week!!

The Things Behind: Book-In-A-Day Wk7

Title: The Things Behind
Structure: Double Signature Pamphlet
Dimensions: 4 x 6

Video of the process.

This was another great bookmaking experience. I enjoyed the time I got to spend on content for this book. I knew I wanted to do something with black and white photos, but I didn't know which photos or what I wanted to do with them. After attending CODEX earlier in the week, I was inspired by many book artists and their work. I found myself really digging the miniature books, but I didn't want to make a mini this week. I knew I wanted to try the double signature pamphlet. I'm planning on making a few blank art journals using this structure (do you smell a give-a-way?) so I thought I should create an actual book using it first.

At CODEX, I got the chance to experience a book created by my dear friend, Lyall Harris. Her book, The Indistinguishable Bones, inspired me to look at black and white photos as my springboard. I had a ton of fun journeying down memory lane with my old photos.

Eventually, I felt drawn to a pattern (I talk about this in the video), so I let that guide me. A good deal of my time was spent selecting old photos, scanning them into a digital format, and manipulating them using Preview and MS Word. Then, I had to figure out how to get them on the page the way I envisioned.

Once I printed out the first set of photos on plain printer paper, I sat with them, examining and brainstorming. I spent time writing the text and twice as much time revising. And in the end, I did a happy dance because I love the way the photos inform the text and vice versa.

But getting to that point was not easy. I toiled over the words and it took them a while to come. In the video, I talk about using strategies to help me arrive at the content for this book. One of the things I did was make lists.

I started with the color versions of the photos and listed all the colors that stood out. That list became my descriptors. Then I wrote freely while trying to use those descriptors when it felt right. It was an organic process, a lot like my art journaling. In the end, the writing gave me direction for how to order the photos in the signatures and how to pair them with the text.

One of the great elements of this book was how easy it was to assemble once all the pieces were in place. I mean, once I fumbled around with the formatting and printing :-). All the work is done up front and I can easily reproduce this book if I want to edition it.

Since I started learning book art, I thought I'd be someone who editions books. I wasn't really a fan of the one-of-a-kind book, but recently, I've found a lot of appreciation for them, so I'll continue to explore both book types throughout the year.

What I learned during the making of this book: 

• Paper selection is key. The wrong paper can make or break the book. 
• My printer is a little bit evil (or I just need to spend more time with it).
• The way we view a photograph changes as we grow and live and experience life in motion. 
• I love sewing paper. It's calming. 
• My printer cannot do a full bleed print, no matter how much I beg.
• I need a better paper cutter. I'm planning to buy this one: x-acto laser trimmer 
• When the content doesn't come easily, change your perspective. 

To see a list of materials I used for this project, please join the free community at givinghands.ning.com. 

I'm looking forward to what next week brings. If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site (where you can view the list of materials I use and see more photos). 

See you next week!!

Her Story: Book-In-A-Day Wk 6

Title: Her Story
Structure: French Door
Dimensions: 3 11/16 x 7

Another great day for BIAD. Even though I set a record for the longest night for BIAD (4AM), I'm happy I was able to get through it. This is the first book I've done where I used handmade papers (I didn't make them) and my memory of them slowly resurfaced as I made this book. Handmade papers can be so fragile and delicate, especially when you add PVA. 


Watch the video of my process.

Inspiration
This book is a nod towards the start of Black History Month. I figured it was appropriate to bring out the handmade stamps I made a while back when I got frustrated trying to find some that I could purchase. While I don't have any real ties to West Africa, I find myself  drawn to the Adinkra symbols. I'm in love with symbols in general, but these are ones I come back to time and time again. And they keep showing up in my life at random times. 

Most recently, one of my students, Rosa Cabera, created a flyer for a free workshop she's giving here in Oakland. Her hand drawn logo is the "aya" fern of the Adinkra. It symbolizes endurance and is a perfect image for the InkRise workshop she's leading. It's Rosa's flyer that reminded me of the stamps I'd made. 

Her Story takes five of the symbols that show up in my life time and time again and places them in a narrative context that tells my story. Without using any original text, I've attempted to tell my story in a way that I hope will speak to other women who experience the book. 

The French door structure allowed me to arrange the symbols in a way that leaves the flow of the book to the reader. There are infinite possibilities for interpretation. 

Embracing The Mistakes
So this book yielded the most mistakes so far and that was a great experience to go through. It was frustrating at times and caused me to stay awake a lot longer than I wanted, but my BIAD definition of a "day" is from the time I wake until the time I go to bed, so I HAD to get it done for my sanity :-). 

1. The first mistake was in my measuring. For some reason, I just kept measuring things wrong and having to redo and redo. 
2. Mistake number two -- my ink sprays were not working with my handmade stencil and it drove me crazy. I tested four different sprays. Made a new spray and tried it; it didn't work either. Then I tried using paint directly from the bottle with a makeup sponge -- NOPE. Finally, I settled on pochoir (my fav technique) and wondered why in the world I didn't just start with that. BLAH!! 
3. The beads I wanted to use for the "dangle" were too big. Had to find suitable ones. All of my old jewelry making stuff is in the laundry room behind and over and under things. I had to fish it out and that seemed to take FOREVER. 
4. Stamping blunders -- I should have measured the longest word first to see if it would fit on the largest acrylic block I own and on the page, but I didn't and when it came time to stamp the word "fawohodie" my spacing was wonky. Then I had one word "Wawa Aba" that was really two words but I stamped the first word right in the center, which left no room for the "aba". But it's all good and I'm happy with that page anyway. 

But despite all of this, I LOVE THIS BOOK. I'm happy with my mistakes. I consider them the touch of a handmade, one-of-a-kind book. Not to mention, I am so happy that my stamps (after being in storage for so long), got to see the light of day and stamped beautifully. 

I realized in making this book that I really like the effect that embossing has on a stamped image. I embossed the Adinkra symbols with clear embossing powder and LOVE LOVE LOVE the way they came out. 

To see a list of materials I used for this project, please join the free community at givinghands.ning.com. 

I'm looking forward to what next week brings. If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site (where you can view the list of materials I use and see more photos). See you next week!!

Midnight at the Oasis: Book-In-A-Day Wk5

Title: Midnight at the Oasis
Structure: Wraparound Pamphlet
Dimensions: Closed -- 4 ²⁄₈ x 6 ²⁄₈
Fully Extended -- 19 ²⁄₈ x 6 ²⁄₈
It's week five and I have complete another book-in-a-day. This journey has already been so much more than I could have expected. Each week I wonder if I'll be able to make another book that I'm pleased with and each week, I am able to create something that I feel really proud of. This week five book is no exception.

Click here for the video of my process.

Midnight at the Oasis is a wraparound pamphlet book structure. I had forgotten about this structure until I had a conversation with my husband about wanting to create a book that could be sewn but where the sewing would not be visible. He remembered seeing a blank one that I made in a class with Julie Chen at Mills College. I had to dig back through my blank book stash and there it was!!

I adore this structure and will likely make a blank art journal to give-a-way in the next Giving Hands give-a-way and, of course, I'll make one to use as an art journal.

So the process for making this book was really organic in that I selected a really old poem and spent several hours reworking it and revising it. Once it felt right for me, I spent some time journaling about the poem to see what came up for me. (Yep, that's my process.)

What came up was something I spend time working with when I have creative clients who can't seem to move past their "block". I don't believe in writer's block or artist's blocks. I do believe that we have creative lulls in our lives and that those lulls can seem like blocks. Exploring that line of thinking made me really go deep to figure out why I don't believe in "blocks" and this book is what emerged from that space.

In the end, this book made it to the number two spot on my list of favorites so far. I think I enjoyed the process so much because of the time I spent revising and thinking about my poetry. 

Other things I realized during the making of this book:

• My heat tool is invaluable.
• The scoring board is a magnificent tool.
• I like shimmery paints.
• Simple can be beautiful. 

One of the biggest revelations I had this week was that I am starting to let go of the implanted idea of perfection that I've had for so long. This book felt freeing (as did all the others I've made so far) and I realized that when I let go of the idea of perfection as defined by others, I end up loving the result much more than I could have imagined. 

I'm looking forward to what next week brings. If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site (where you can view the list of materials I use and see more photos). See you next week!!

Urbanite: Book-in-a-Day Wk4

Urbanite cover

Title: Urbanite
Structure: 8 panel accordion with pockets 
Dimensions: 6 x 4 1/4 (closed) / 34 inches expanded

Click here for the video of my process.

This week's book is my favorite so far. I had a great time making it and working with the content that eventually ended up in it. The book is a homage to my journey to Oakland, CA from Jacksonville, FL in 2008. 

Oakland gets a bad wrap from folks who have never lived here. They see images on television or go on what they have heard others say and they don't realize that Oakland is an amazing place to live. But the book isn't really about that. It's actually about how a "southern/country gal" like me moved to the city and found herself. It's about how the city almost broke me during the first two years, but in that breaking, I was rejuvenated in so many ways. 

Urbanite, cards out

Most of my time in the first 24 months here were spent in transit between our apartment, Mills College, San Francisco, and all the places in between. I learned about Oakland from the people I met and sat beside on the bus, the Bart, and the shuttles. They were a huge part of my breaking and my strengthening. 

Urbanite, open spread

Urbanite is an accordion style book with pockets that hold poetic musings about the city and my time in it between 2008 and 2010. I loved the way this book was born out of my process with the book-in-a-day series. When I started creating the pages, I didn't have any content in mind. I allowed the artistic process to guide me and it did. It's not what I had in mind when I woke, but I could not have planned it better. I LOVE THIS BOOK. 

Urbanite, page spread

For more photos and a list of materials I used, please visit the givinghands.ning.com site. 

What I Learned During the Making of This Book:

• all ribbons are not created equal
• mixed media paper and 140lb watercolor paper are drastically different
• typing on a typewriter makes you more aware of each and every letter you're using. It makes you pause and think before you "write". 
• I like rounded corners.
• spray inks are beautifully unpredictable
• staring BIAD at 2:40 in the afternoon is NOT the best idea
• the accordion with pockets might be my new favorite structure (but there's 48 more books to make :-)

If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site (where you can view the list of materials I use and see more photos). See you next week!!

Dos-á-Dos Blank Book: Book-in-a-Day Wk 3

Three views of the Dos-á-Dos

I'm really happy about this week's book. I selected a simpler structure this week to give myself time to ease into having to teach and make a book each week. I'm glad I did. This structure, the Dos-á-Dos, is one of my favorite blank books to make. 

The first time I made this book, I was assisting my dear friend, Lyall Harris as she taught a letterpress class at the San Francisco Center for the Book. I've been trying to revisit the structure ever since and this seemed like the perfect time. 

This book reminds me that January is a time for reflection. The two back-to-back signatures give me amazing opportunities for journaling and thinking about the past (2012) and the future (2013). That's what January is all about, right? Reflection, recollection, and reinventing. Well, at least for me that's what happens in January. You know, like the story of Janus. (here's another great source for the story of Janus) 

The video for this week is here. 

The Dos-á-Dos structure has reminded me that:

• art is reflection
• the blank page is an opportunity/an invitation
• thinking about something from more than one perspective can be freeing
• creative moments can be short and sweet (it took me less than four hours to gather all the materials, set up the video equipment, and construct the books)

If you're watching the videos, I'm honored! If you're making the books, I'm intrigued, so please post them to the flickr group or on the Giving Hands Creative Community site (where you can view the list of materials I use and see more photos). See you next week!!